one breath is a bold and confident record that begins an exciting new chapter in this uniquely talented artists career. produced by john congleton in blackbox studios, france and mixed in dallas, texas, usa, one breath was written in a year and recorded over a few intense weeks. one breath is a more personal record than its mercury and brit nominated predecessor. reflective and vulnerable, it strikes a balance between optimism and despair, beauty and ugliness. the fiery elements of annas debut remain, but one breath is more instinctive and urgent, revealing a wider spectrum of textures and emotion

the second vinyl release of hansehertz records comes as a remix collection with the right track for each daytime. with fred wendekinds early friedrichshain remix for krueger & leus pour annabelle you can dance into the morning hours and start or finish your day. krueger & leus remix for marc raums talk about is the right choice to enjoy the midday sun outside on one of the countless open airs in the summertime. at the end of the day the spinning around mix for vincent rohrs die suche by just emma (new project of minimal lounge) with catchy vocals by matthias wittmann is the best way to start a frisky club night.

mike okay is back on the dancefloor after a big roadtrip during the worlds largest kindergarten. his new release, called fogel, comes along in three different versions. the original, an edit from himself and a remix from the old but newborn fly motherfucker. you can take the mike versions as sure shot for good vibriations on every floor.... continoues groove and some sweet kids behind the mic are the main cheese, whats fully filled up with fat bass. when you start or end the night try to handle the fly motherfucker remix. the slower walking groove is straight right for this. mixed up with the emo synthi its just a wonderfull dreaming interpretation and perfect to fall into a moody winterdancefloordepression. so the next what! what! episode from its founder mike okay is on the run.....lets fetz!

bicep are back with the second release on their eponymous feel my bicep label with the follow up to last years vision of love. after a sustained period setting up their new studio, fmb002 features three tracks pushing into a synth driven direction in comparison to earlier releases

jm aka jonny miller, a prolific uk producer with over 23 years in the game shipped over four killer reworks to the gamm headquarters a while back. after the first listen we were immediately hooked. with tasteful measures jm have taken some of our favourite fela kuti, d angelo, weldon irvine and bill withers tunes and turned them into something new and highly exciting. you cant get more gamm than this ... proper!

the follow up to marios highly successful remix for downtown party networks vocal beauty space me out on best kept secrets mother label silence music, machinarium is a four track ep, which delves even deeper into dream like soundscapes where pop heroes meet for a collective dance on the dance floor of a distant space station.

the year 2013 is coming to an end and we present you a special goody with the catalog number 013 to close it up. rising sun is back with his second ep for fauxpas musik. the pause ep comes as a vinyl only release. six beautiful & innovative house music delicacies - a timeless beauty that has been pressed into colored vinyl. also, our friend paedie & design konzept from alex ketzer did the artwork. vinyl tastes better

geddes returns to mobilee, an invitation to inject another dose of londons elegant toughness and atmosphere into the berlin label.waiting masterfully keeps the listener on the edge, teasingly building momentum with measured intensity. as it gallops into its stride it finally reveals itself as a work of rhythmic tension and hedonistic release. hypnotic.

after re-launching touchin bass with two killer eps from quinoline yellow and plaster, we are now celebrating 12 fine years by bringing you an 11 track compilation featuring tracks from some old friends of the label as well as introductions to some new. this compilation *present tense* sets out to recapture some of the essence of the past but also launches you into the future with some innovative and talented artists from all around the globe.

after stumbling across good guy mikesh and making an edit of his track *freddy* - maceo plex delved deeper into the back catalogue and decided he was bona fide ellum material… one demo request later and the *from another world ep* was born. a trio of original tracks, one of which features production partner filburt, it is dark, beautiful and warm music for cold winter nights.

second release from desert sky (closely connected to the giegling family) with two more psychedelic trips into the desert.

the night voyage pop-up label pops up once more as amsterdams tom trago and londons bok bok resume their collaboration. the first in a series of new 12 inchs sees the pair delve even deeper into drum tracks and next-level dj tools.

the return of the dutch masters of deep! rotterdam techno veterans duplex show how its done with three lush & warm interstellar techno tracks from that forgotten future... pure, dedicated and very well-crafted. this will orbit the dancefloor straight into outer space. and as an extra the steven tang remix of jx3po to heat things even more up. well done dolly!

hot on the heels of bmm 002 comes the latest instalment of the birdsmakingmachine series – bmm 003 – a package combining their signature sine-bass laden grooves, steel drums and oblique melodies. >antonios swing<, as the title indicates, literally swings listeners into its rhythm with dark vocal snippets layered onto soft stabs and eerie melodies. >woodpeckers<, on the a2, takes a more linear approach, an effective dj-friendly tool that will please dancefloors in the late hours of the night/early hours of the morning. on the flip, in >silk road< we find a captivating, yet mysteriously funky minimal house affair that builds and builds until finally erupting following the break. the ep is rounded-off with >dead lines<, a broken themed galloping of bass kicks fused into moody melodies and reverberated far cries, resembling a genuine excavation into the depths of house music – another example that the birds are always trying to redefine the genres boundaries.

since the early 80s maddisco has been heavily into hip hop and electro, recording his favourite stuff from the radio until the late 80s when he started collecting vinyl and djing, chicago house and detroit techno were the first genres he went for after hearing them at the club rip in clink street, quickly followed by balearic, disco, funk, dub and ambient music some of which he heard at danny ramplings club shoom

madteos return to morphine. really expanding his electronic pallet for this one and going into some heady experimental realm

i believe uses dubby drums and an infectious vocal to really tear things apart before dropping into a melodic synth section that will make anyone move. tantras melodic groove synths help this early morning track really come into its own before the main melodic section, accompanied by strings, will take any clubber to their own dimension

right into the thick of the 12x12 series with a double-up of new tracks from jesse rose. he thinks it is his best 12x12 yet. we are happy he thinks so.

maya jane coles, londons queen of the underground, turns in two stellar versions that take the vocal hook and attitude of the original and rework them into hypnotic deep house anthems.

sneaky music maintain the pressure that the labels debut release from silk 86 built up, welcoming london pairing ashworth & kiwi into the fold with the dawn ep. south london based kiwis music combines influences from disco, funk and house and has notable released on needwant and deepshit, whilst east londoner ashworth debuted on balsaal, garnering support dixon, dj t and josh wink and recently teamed up with citizen for waze & odysseys label w&o street trax.

newly born, retiree, recently kicked its way through the musical birth sac and into sydneys live scene, with a spate of vitalising performances.

marcel vogels lumberjacks in hell welcome the disco master al kent into the fold with the two track yes i cant 12 inch. al kent is a true original. not interested in anything but disco. dying his hair in a truly unique fashion, to match the sparkle of disco balls and having recently hired an octopus to help him chop up those records. both *yes i do* and *cant stop* highlight the glaswegians importance to keeping the true spirit of disco alive, deftly and tightly edited in a manner that would impress messrs hardy and gibbons were they alive today.

boutique beat outlet black key records return with an eighth release, welcoming the smpl pairing of german deep house don iron curtis, and leaves into the fold for the hello ada! ep which comes brandishing a remix from aus and secretsundaze talent youandewan.

the new single portends the mood of the ensuing album, a further foray into harris signature blend of house, modern classical, shoe-gaze and noise which is the artists most ambitious and accomplished work to date. as the sole dance floor moment on the lp, *you can always leave* picks up where harris cult hit *lostfound* left off, with vocals once again from danish vocalist gry bagien and the heartbreakingly august trumpet of no regular plays greg paulus. the remarkable terre thaemlitz delivers an epic 12 minute remix on the flip under his dj sprinkles guise which is sure to make this 12inch a sought after piece for house music s analog enthusiasts.

fumiya tanaka, into it since 2 decades, delivers his new 4-tracker in the format of a vinyl doublepack.

vino feat. oreste with their debut album on hamburgs taste making hafendisko, deo & z-man proceed their research in contemporary electronic music beyond stylistic boundaries and present a wide-ranging lucky bag of songs.

as with the first volume, we plunged into our extensive archives and looked for personal favorites as well as certified bangers, dovetailing the new and the old, the rough stuff and the soft, funky noises and epic melodies

touching upon dance musiculatory milestones like detroit techno and electro, nsyde007 sees tyon, a well-known but besides this moniker for now anonymous traveller, summoning up atmospheres totally his own. this is space music. but not in the ra sense. take the a-side flaw 11, for instance. this is space music in the way it catapults you out, like the most terrible mistake made by man-machine, into the farthest reaches of an ever faster expanding universe, dark energy tearing at your nipples until they rip off, resemblances of melody orchestrating the drama/bliss of event horizon passage. its dark yet beautiful, like the smile on a dying persons face, and a heavily psychedelic trip at that – but fear not! you won’t be subjected to any despicable noodleage here, just to weird, intensely warped sounds you want to dance your ass off to. make it fat on the other side is the sci-fi equivalent to hänsel und gretel: a perpetuating feeding of the child-to-be-eaten. the finest in andromeda’s hyper-fattening molecular cuisine gets crammed into the gagging brat as doom is looming over its forehead. and with every spoon thats being recklessly punched into the poor little demon’s face it is getting closer to its, as well as the dancers ultimate goal: total nirvana. pressed on black vinyl.

with his > multiply ep < labelhead nick curly bounces back into the limelight of his well known percussive style. #just8.. already played by marco carola, matthias tanzmann, jorge savoretti, sascha dive, shinedoe, tuccillo, monika kruse, nekes, lauhaus, markus homm, gorge, laura jones, junior gee, johnny d, sidney charles, tripmastaz, oxia,paolo martini, halo varga, yousef, bunte bummler

puss is a new label from hnny and kornél kovács, pushing club ready dance tracks to tenderhearted discjockeys around the world. the first release came this spring, with hnnys simple yet devastatingly effective rnb refix *boy* and kornél kovács eerie dub version *yob* sharing one side each – for the follow up, hnny transforms a late 90s jam by wexford, pennsylvanias finest into an acid-tinged house jam in two different arrangements. as always with puss, each record comes with a unique real human kiss mark. expect more to come.

killer deep house vinyl

eddie c steps up for the seventh edition in this cult 7 inch series. he has turned into quite the madlib of the disco world with this one! expertly curated heavyweight sampled jams are the order of the day - lost gems revisited and re-arranged into mini symphonies.

scotland-born parisian paradise 100 (a.k.a. dj africa, a.k.a. graham peel) has been percolating stripped-back, bouncy-castle house constructs onto the web for a few years but never locked them in wax until now. high time. following his minimalist dictum *more than three tracks on a song is just indulgence*, his debut eps four cuts share a sleek, spare design, jigsawing slinky bass, classic keys, lean drum programming and flashes of synth mirage into fluid, aerodynamic patterns. touches of melodic acid and crossover new wave color the mood an exotic, hedonistic hue (further evinced by titles like the loin king and french kissing in the house of love). his own vision of the project is appropriately fantastical: *the image in my mind is of tropical forests at night, torchlight, distant sounds of tribal ritual dance and ghosts.* regal music for pleasure domes.

people must jam is our sydney based warehouse party that we have been running for five years. the ethos behind the night initially, was to bring djs to australia that we wanted to hear but that had never been, and to put them on in intimate spaces and let them dig deep into their collections to play whatever they wanted. over the years we have brought rahaan, al kent, leo zero, mark seven, trusme, frank booker and more to australia for the first time to play. floor jammers vol. 1 is the first in a series of eps from some of our favourite past and future guests. the record is pressed on 180gm vinyl and strictly limited to 300 copies.

following the release of >life performance< - peter van hoesens brand new live album on tresor records, here are three vinyl edits taken out of van hoesens live set and edited into dj friendly versions.

and here we are, just as promised, exploring the dark corners of nick lapien, the man otherwise known as metropolis. this time around, he comes back with a pair of extended cuts that veer off into heretofore unexplored terrain, relishing in detail with a sharp focus on momentum and lyricism.

for its fifth release, brstl continues on its mission to unearth fresh and exciting artists from bristols electronic music scene, this time showcasing the debut release from idle hands employee shanti celeste. regular clubgoers in the city will have almost certainly heard her display her penchant for heavily swung rhythms in her dj sets, and her 12-inch for brstl manages to distil this passion into two elegantly produced house music groovers. recently unveiled on outboxxs podcast for resident advisor, the soulful new jersey-esque skip of >need your lovin< (baby) takes up the a-side, its gliding rhodes chords and playful melodies being propelled by a tough and irresistably funky beat that kerri himself would be proud of. over on the flipside, >result!< offers up a more heads-down vibe, channelling those swung beats into an upbuilding, synth-smeared house jam.

after the vocal treatments and acid lines of tallmen 001, moog feedback comes rumbling through as tallmen 002 kicks in. multi joins as a co-producer for d220 ghosts of guitar and synth lines weave in and out as it picks up momentum, the kick drum planted firmly in the chest plate and swirling high-hats complete this burner of a track. floating ground returns to acid but not as one would expect. a simple melody turns into a strange animal, flying at once into outer-space then landing squarely on the 1, this is not your average acid tune.

canadas greg gow is a dj, producer, promoter and label manager with releases on legendary labels like transmat and kms. likewise gareth whitehead is a vastly experienced producer and dj as well as head honcho at bulletdodge records. delivering two new cuts, vacant gets you jacking from the get-go, before circuit breaker throbs into action. taking vacant down a darker path is none other than la based, silent servant (sandwell district)

cassegrain & tin man are a deadly combination. old school acid lines programmed by one of the greatest masters in this field meet a super modern techno sound design by cassegrain, who have made themselves a name in the last years for producing some of the finest in dark and experimental techno. for the follow up to their debut release on killekill they have put together three tracks that are outstand- ing. high & low is a slowly swelling minimalistic acid epos of over 10 minutes length which proves the mas- tership of tin man in programming acid loops of eternal quality. 8 beats length only, but constantly evolving. no chance for boredom. the b-side starts with sex kit, a dark acid stomper with a chirping percussion which is well suitable for the peaktime dancefloor, followed by sand maze, a sublte minimalistic ambient acid piece, that winds its way into total dissolution. we are quite sure that this is the way acid should sound in 2013.

nice price deal !!! choosing time ep is just what the name suggests. it features 4 absolutely timeless deep house tracks in the veins of old school chicago house. if you are into mr fingers, chip e, robert owens, rocky jones and so on.. then this one is for you! dont sleep

so here i am, happily an album older, introducing the first of adamants remix packages. since the whole project was, generally speaking, a personal affair and a lot of the album was not necessarily club-ready (does that even make sense?), we invited our friends on board to do the dirty deeds for me and rework my sounds into something normal people can dance to. first up are mind against.

it is a family affair as grimy returns with heat from the windy city known for amazing dance edits. tim mcallister takes it out the gate with *rollin*, a classic soul/disco beater replete with joyous flute trills, leslie speaker efx and a pumping house kick. in-demand newcomer cratebugs *get up move your body* is a spacious, cosmic edit of a little-remembered canadian gem. the song ends with an intuitive synth jam that will be enjoyed by djs and home listeners alike. longtime grimy associate rahaan ends things with a bang. his largely original *buari traxx* mixes ghanaian rhythms with killer disco bass and the nuanced, tracky drum programming you could find on a dancemania record. the brilliant track is built for the floor and also serves as an apt transition into grimy trax, a sister label that will release all new music. chicago is still burning.

late night tales and bonobo were pretty much made for each other, it just took them a while to both realise it. stepping forward into the compiler’s spotlight for the 33rd edition is simon green – aka bonobo – a musician, producer and dj perfectly suited to soundtrack an evening spent reclining to some parallel beats.
heavyweight 180 gram double vinyl plus 12x12 inch print of the cover art and download code for the mixed and unmixed tracks.

limited vinyl edition with album cd! incl remixes by kollektiv turmstrasse, matthias meyer & patlac, dub taylor. the cosmic cowboys project was born in 2008 from the different styles of twoyoung venetian artists, nicola sansoni aka randomatique and kaled jabariaka kaledj. for >zero gravity love< their first album which will be released on musik gewinnt freunde, collaborations with talented musicians and singers from all over the world were made. it defines a mixture with their well-known emotional, groovy and new dub and electronic structures. the result is nothing that can be named into a specific genre but a mix of all their influences reshaped into the new sound of cosmic cowboys that they like to call >the version 2.0 of ourselves<. but there is more to it than that. if you still havent noticed yet we also have the 3 fabulous remixes with us, which fit best together with the album. dub taylor, matthias meyer & patlac and also kollektiv turmstrasse did their very best and created something new. >zero gravity love remixes< is the perfect match and absolutely ready for the dance floor. dubby, hypnotic, playful, moving, and last but not least, music made with much love. give it a listen now!!

welcome to the world of magic eye, an illusory duo from leeds experimenting with light and sound. the mystical pairs debut release, inside my love, comes on the legendary house label strictly rhythm. kicking off with plummeting and rubbery kick drums it sucks you down into a warm and inviting place somewhere on the edge of the cosmos. when the dulcet chords of a certain minnie riperton song drop in its pure bliss. wooden percussion clacks away and then the whole thing drops into a serene breakdown complete with heavenly vocals. its a sympathetic re-imagining of a classic track that works to perfection. remix wise the label features interpretations from purp & soul artists harry wolfman & mark wells, plus mike mago.

akra, otherwise known as nick woolfson, is one half of mock & toof and has built a reputation for producing quality underground deep house and nu-disco, releasing with the likes of mule musiq, rvng intl, dfa and his own imprint tiny sticks / m&t inc, as well as remixing reputable artists such as scissor sisters, groove armada, zero 7, hot chip and ladyhawke. now woolfson moves into techno territory with his new side project as akra having already impressed the likes of kink, chicago damn, ame, sasse, dj deep and deep space orchestra

spike wolters quartet of self released lps which surfaced between 1981 - 84 have become the stuff of legend. an avant garde collection of solo tracks, combining guitar, drum machines, synths & vocals into spacious, fx laden compositions which stand firmly outside of the era in which they were created. its a lo-fi, but broad selection, taking in experimental pieces, alongside taut post-punk workouts, and more laidback steely dan moments. the sixteen cuts on orange cloud nine have been lovingly compiled from those four early 80s lps by golf channels phil south. its a limited single vinyl package, with custom artwork from perks & minis misha & individual download code.

slamming house tracks, hese tracks have been jamies secret battle weapons all summer. tapping into a dark sider but with that distinctive jamie jones melody and drive that are a signature feature of his dj sets. title track planets, spaceships features vocalist daniela caldellas from digitaria, who has an album planned for hot creations in the new year, whilst cookie monster, starp trek and sticktake things even deeper with vocal snatches and crisp claps